![]() Alex Bevan argues that the aesthetics of nostalgic TV tell stories of their own about historical decline and progress, and the place of the baby boomer television suburb in American national memory. Specifically, it looks at how nostalgic TV production design shapes and is shaped by larger historical discourses on gender and technological change, and America's perceived decline as a global power. ![]() The Aesthetics of Nostalgia TV explores the aesthetic politics of nostalgia for 1950s and 60s America on contemporary television. In addition, the genre represents continuous verbal and physical aggression against women, especially if they belong to ethnic or racial minorities. Women are rarely key characters in narconovelas, and when they appear, they are dependent on men, and attain status through men or their families. Our results show that, as per Colombia’s prevailing social relations, narconovelas demonstrate a gendered power imbalance and mestizo heteronormativity via macho plots that glamorize violence against women. These practices are discussed as factors that may prevent women’s social empowerment and participation in the workforce and politics of the country. ![]() Relevant topics include: the widespread violence against women in a traditional, patriarchal country, the inefectiveness of policies targeting gender discrimination, and ideologies of machismo and Marianismo. We do so in order to gain a better understanding of their role in representing gender in Colombia. Through a content analysis of 532 programs screened on various national television networks in Colombia, this paper examines portrayals of women in the country’s narconovelas, fictional series derived from the telenovela genre that resonate forcefully with the public.
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